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Concert and Opera in Venice Anti-Covid Coronavirus Measures
- Vivaldi was born, raised and spent most of his life in Castello, the sestiere, or district, that forms the eastern end of Venice, the part least frequented by visitors. Vivaldi was the most celebrated Venetian violinist and composer of his age and made a fortune from his music.
- Overview of the study day Antonio Vivaldi – the last of the great Venetian writers – is arguably the one Baroque composer whose music is a direct reflection of the city in which it was composed. Listen to a Vivaldi concerto and hey presto you are transported directly to the heart of 18 th century Venice. The reasons for this are many.
- Antonio Vivaldi: Venetian Virtuoso Antonio Vivaldi was a virtuoso violinist, a virtuoso composer – at least in terms of quantity – and a virtuoso teacher, as clearly evidenced by the level of competence attained by his pupils.
- Born in Venice in 1678, Antonio Vivaldi is recognized as one of the greatest Baroque music composers. Vivaldi is best known for his violin concerto The Four Seasons. Concerts of Vivaldi's work are held throughout the year in Venice.
Vivaldi, Venice and violins: all three are celebrated in Vivaldi’s Ring of Mystery, a compelling mystery story about an orphan girl in the early 1700s who is in search of her roots. A central clue to the mystery is a missing Stradivarius violin that the Duke of Cremona has brought to Vivaldi’s school of the Pieta in the hopes of finding his.
All theatres have to respect a security distance in the audience. On average, one seat on three only is available. Therefore, it is advised to book your place in advance as there are less available seats.Venice is the town of the music, here is born the famous Antonio Vivaldi. Venice offers you numerous concerts and operas, at Fenice Opera House, but also inside beautiful and incredible places such as in Venetian Palaces and Churchs to add to the happiness of your ears, the eye's one.
Venice Vivaldi Concert Church
Among the concerts and opéras played in Venise, here below are the ones we consider as of the highest quality, able to offer you a great and memorable evening.
Opera Theatre House La Fenice
The Opera Theater House La Fenice is the most famous Opera Hall in Venice where you can listen music and opera at an international quality level.
Opéra Théâtre de La Fenice Information »
Opera at Barbarigo Minotto Palace
Venice Vivaldi Concert San Vidal
With La Fenice Opera, the best opera show you can be in Venise is without doubt the ones of the Barbarigo Minotto Palace.
Opera at Barbarigo Minotto Palace 85€ Information »
Collegium Ducale
The Collegium Ducale Concerts are also of high quality and played in the reception room of the Prisons Palace of the Doge's Palace.
Concerts Collegium Ducale Palace 30€ Information »
Vivaldi with the Interpreti Veneziani
You can also listen the Vivaldi's « Four Seasons » in the San Vidal Church played by great Venetian musicians.
You can even book your dinner with the concert. (Concert + Dinner: 85€)
Vivaldi Interpreti Veneziani Concerts 32,4€ Information »
Vivaldi Spring
Vivaldi with the Musici Veneziani
Antonio Vivaldi was a Venetian and it is in Venice that his famous « Four Seasons » were created. They are very well performed by the Musici Venziani. You can also enjoy with them a
Venice Vivaldi Concert
« Baroque Concert Opera » in the big and beautiful Scuola Grande San Teodoro Hall.Concerts Musici Veneziani 30€ Information »
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Vivaldi's Gloria is one of sacred music's most uplifting choral works - a piece of high drama and hidden performers
Some time ago, I eagerly began a holiday in Venice, desperate to follow in Vivaldi’s footsteps. Imagine my disappointment when I got to the famous orphanage turned music school where he worked - the Ospedale della Pieta - only to discover it had been turned into an hotel. I shouldn’t have been surprised. The Riva degli Schiavoni bordering the Canale di San Marco is now prime Venetian real estate, thronging with tourists and souvenir sellers. I hoped for better luck with the Ospedale’s church - the Santa Maria della Pieta - next door. But that was boarded up with graffiti scrawled over the double doors. I didn’t feel too let down, though, since the present church was built after Vivaldi’s death in 1741! It’s still known as Vivaldi’s church, and I’m told that it is now cleaned up, open for worship and home to some wonderful baroque concerts.
I wanted to imagine myself in the place where some of Vivaldi’s most glorious music was performed by the young women who were taken in as orphans by the Ospedale, one of four important Venetian orphanages which placed a special emphasis on teaching music. These ‘orphans’ were usually the illegitimate daughters of the city’s wealthy noblemen and their numerous mistresses, which explains the generous endowments that meant the girls were well cared for and given the best musical tuition available. Despite being ordained as a priest in 1703, Vivaldi was appointed the violin master at the Ospedale and his association with the music school lasted until 1740, by which time his reputation in Europe had been secured thanks largely to the wonderful performances of the girls he instructed.
The Gloria in D is probably one of his best known sacred works, but it also reflects Vivaldi’s other skill as an opera composer, which he regarded as a distraction from his day job at the Pieta. Venice in the early 18th century was the pleasure centre of Europe, and a visit to the opera was part of the court and social life of the city. Despite a licentious reputation, the opera houses were required to close for all important religious festivals and Saint’s Days. But Venetians and their visitors still wanted to be entertained. Vivaldi’s all-women orchestras and choirs were legendary sensations, but the girls needed to be protected from noblemen and travellers to the city. To keep them sheltered from the corruption and decadence of the visiting public, the girls sang from the upper galleries of the church, hidden behind the patterened grills, which only added to the theatrical sense of drama matched by Vivaldi’s music. Those young men in Venice for a stop on the Grand Tour flocked to Vivaldi’s church to hear these mysterious women seen only in silhouette, but sounding like angels.
The Gloria itself is a joyful hymn of praise and worship divided into 12 relatively brief movements, ranging from festive brilliance to profound sadness. Captur phase 1. Yet it’s a mark of Vivaldi’s skill that the work overall maintains a cohesive structure. He prepares us from the very beginning, with the distinctive opening chorus, yet within minutes we’re deep in meditation with the second poignant movement ‘Et in terra pax hominibus’. From lilting soprano solos to solemn choral singing with duets and four part harmonies, this really is a masterclass in choral writing. But Vivaldi, always the great instrumentalist, doesn’t forget his musicians. There are opportunities for tender, lovely countermelodies played variously by the violin or the oboe.
The finale brings the work together in a vivid but effective composite of all we’re heard before. Vivaldi has thrown in music which feels part concerto, part opera - but the effect is one of sacred music’s most uplifting choral works. 5k warehouse forklift specs.